The Cornerstones of Music Composition
For qualified students, we have a host of online music courses that are available on a quarterly basis. To take part in these courses students must be continually enrolled in at least 60 minutes of lessons per month and have the prerequisite skills required for the course. These courses teach the fundamentals of music composition: Music Theory, Counterpoint, Instrumentation, Orchestration, and Form and Analysis. The courses are only offered at specific times throughout the year. These are the cornerstones of music composition and are crucial to a solid understanding of music.
Instrumentation
Instrumentation teaches students about the different instruments that are available in an orchestra, their ranges, how they are played, their techniques, and how to write idiomatically for each instrument. This is something that is usually discussed before an in depth study of orchestration is attempted.
Orchestration
Orchestration is the study of instrumental combination within an ensemble for a desired effect, timbre, or mood. It is an art form that one can never completely master. There is an infinite continuum of colors and timbres to experiment with. It would take many lifetimes to exhaust all of the combination's available to composers through the art of orchestration.
Understanding how instruments combine to create a specific effect or sound is an important part of the compositional process. It is also important to comprehend the capabilities and limitations of each individual instrument. Without this knowledge one may create music that is either unplayable, or that doesn't duplicate the sound the composer intended.
Music Theory
One may think of music theory as the vertical aspect of music, while counterpoint acts as the horizontal aspect. It focuses on chords, progressions, scales, and modulations, and is a convenient way to absorb and understand the basis of a musical style. Music theory can be dangerous if one confines music to its rules alone, therefore discouraging an individual from understanding or appreciating unusual or non-traditional music.
Composers should learn music theory to avoid struggling with the same challenges that their predecessors have already mastered. It is not a requirement to use classical music theory in your composition, but you should be knowledgeable in all forms of music theory as it the vocabulary through which composers can communicare. It is impossible to function in the musical world without at least a basic understanding of music theory.
Students are given lessons in which they are taught a particular component of music theory. They are then given exercises where they practice and develop skills which are directly applicable to the craft of music composition.
Form and Analysis
Form is a term which has been used for centuries to describe the grand organization of a piece, as well as the smaller elements of a composition. These are typically divided into binary, ternary, and other "parts" that make up a composition. Music Theory, Counterpoint, Orchestration, and Instrumentation serve as the basis for a complete and thorough analysis of a composition. The purpose of analysis is to discover why a piece is effective, how to recreate a certain effect, and to develop an understanding for the inner structures of music.Students find that studying form and analysis helps them to create original music, as they have a greater understanding of pre-existing music.
Not all composers know how to analyze, or even read music. However, this is similar to a poet or novelist that cannot read. The ability to study other artists' works, and eventually your own, is invaluable in the process of maturing as an individual artist. Inspiration may be the fuel that ignites a composition, but it is the final editing and analysis that determine whether or not a piece is both fit to be performed and academically appreciated.Analyzing your own music is a vital skill that will help you to create a work of lasting beauty, as well as to appreciate pre-existing works on a much more profound level.
Learning how to apply forms to your own compositions will make it easier to retain and create an entire work using nothing but your imagination. Form is the substance that holds a piece together, separates ideas, and connects different sections of music.
Counterpoint
Counterpoint literally means "point against point" or "note against note." It is the horizontal aspect of music, which entails multiple independent melodic lines that, when combined, create harmony. These melodies have the potential to create a rich, full, and complex musical texture.
Most students find that they can easily complete their counterpoint assignments by devoting 15 - 20 minutes on these lessons each day. Counterpoint studies will help the subconscious processes of your mind instinctively learn how to create effective lines. It also encourages composers to develop the following essential skills:
- Improved sense and understanding of melody
- Learn to write effective basic harmony
- Learn how to make every part in a composition count by creating multiple independent melodic lines.
Composers should think of counterpoint as a tool that will enable them to better express their creative ideas.Just as a poet or novelist needs a firm understanding of his or her language's mechanisms, or as an artist would need to familiarize themselves with brush strokes and the use of color, a composer should intimately know the workings of counterpoint so that he or she may reach their full potential in the art of musical expression.
There are different types of counterpoint ranging from the highly academic to the practical. Our students receive training in both in order to ensure they are receiving a thorough education in the craft of music composition. Students start with 16th century counterpoint and eventually learn dissonant counterpoint, which has been used by many composers including: Charles Seeger, Ruth Crawford-Seeger, Carl Ruggles, Henry Cowell, Henry Brant, Dane Rudhyar, Lou Harrison, Fartein Valen, and Arnold Schoenberg.
Counterpoint is surprisingly simple, and only a basic knowledge of music theory is required. Above all, you should know the names of notes, be familiar with the concept of a scale, and able to identify written intervals.
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